SELECTED WORKS (scroll down for complete list organized chronologically)
(all works listed chronologically)
MAGNOLIA STREET for narrator and pre-recorded sounds (in progress) This piece is based on a short story that I wrote, and was inspired by a great painting by my friend Brian Caron. |
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NOR CAN REMEMBER PLAIN AND CLEAR THE CURIOUS MUSIC THAT I HEAR for alto saxophone, trombone, piano and percussion (composed 2009)
Commissioned by the Maharlika Trio for premiere in spring 2010.
Score of Nor Can Remember... 
Midi recording
of Nor Can Remember...
TUSCARORA OVERTURE for intermediate level concert band - 4 minutes (composed 2009)
This piece was commissioned by the Tuscarora Middle School Band, Mike Trego, director. The premiere will be in the spring of 2010.
Score of Tuscarora Overture Midi recording
of Tuscarora Overture
LINCOLN ELEGY for orchestra and narrators - 23 minutes (composed 2008)
This piece was commissioned by the Williamsport Youth Symphony, Jennifer Sacher Wiley, music director. The concert on February 12, 2009 celebrates the 200th anniversary of Mendelssohn and Abraham Lincoln. The concert date is Lincoln's 200th birthday exactly. This piece required members of the orchestra to come to the microphone throughout the piece and read various texts. The overall mood and approach are quite different from the "Lincoln Portrait" by Copland however. This is a much darker piece that focuses more on Lincoln's suffering than on his eventual triumph.
DOUBLE SECRET PROBATION for orchestra - 8 minutes (composed 2008) This piece was commissioned by conductor Jennifer Sacher Wiley for performance at the 2009 District 8 Orchestra Festival in Selinsgrove, PA. The premiere will be in early February. All the other pieces on the program were very serious, so this piece adds some highjinx. The title refers to the famous scene in the film "Animal House". |
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This piece was commissioned by conductor Peter Denee, for his choir is Wisconsin. The premiere will be in May of 2009. It is based on a poem by Octavio Paz.
This piece was commissioned by pianist Maria Springfield. It seemed like an unlikely collection of instruments at first, but they worked well together. I'll post the live recording soon.
Score of Doloroso Midi Recording
of Doloroso
I performed this for a special lecture at Susquehanna University. Since there was lots of video and surround-sound, it's impossible to represent very well on the web. I'll put a few of the video movements on in the future however.
Premiered at Carnegie Hall on March 7, 2008 by the Susquehanna University Masterworks Chorus and Orchestra, conducted by Jennifer Sacher Wiley.
Written for the Selinsgrove Area Middle School Band, Amy Kenny, Director. Performance May 2007.
Score of Slow Sunrise Midi Recording of Slow Sunrise
My mother Nancy Long celebrated her sixtieth birthday on November 30th, and I wrote this piece as a gift. She played piano as a child, and I wrote this to be on the level of difficulty of pieces in her old books. (Maybe she will get back into piano and play it!) Her address as a child (and her lucky number ever since) was 243. So, I mapped those numbers onto a scale, made a motive, and wrote the piece. It's simpler and prettier than my other pieces, so don't start here is you're just getting to know my music. But hey, if a composer can't write a piece for his mother on her birthday, what good is he?
Score of Song on 243 Recording of Song on 243
I am once again happy to be involved in the semi-annual concert drama tour that the S.U. Orchestra and director Wiley create. This year's show is an educational concert about the elements of music. But, as always, there is also a story going on. In the story, an alien visits the earth in search of dinner. On her planet, music is consumed for nourishment. She comes to our concert looking for something to "eat", but finds our "foods" to be an acquired taste. We try to help her develop a taste for the music by breaking it down into its elements. This piece is a fun film-music imitation. While it's being played, the alien ship is taking off. If you've never heard any of my music before, don't start with this one!
Score of Alien Invasion Finale
These settings of poetry by Edna St. Vincent Millay were written for soprano Allison Hooper. She will premiere them at Ithaca college in February.
DE PROFUNDIS for clarinet and DVD (electroacoustic music with projected images) - 9 min. (composed 2006) This is the latest in my series of pieces that employ projected texts. In this case, it's a setting of the traditional De Profundis text that has inspired so many composers. It was commissioned by Deborah Andrus. She performed it in several venues in the fall of 2006. If you are interested in performing the piece, contact me for a copy of the necessary DVD. |
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This piece was excerpted from the violin concerto for Jennifer Sacher Wiley to play on her recent tour of Iowa.
Score of Slow Dance Recording of Slow Dance
This was a very understated and psychological production directed by Professor Douglas Powers. The actors wore masks throughout. The set was immense and very spooky.
This is a new version of my saxophone concerto. I reworked the piece for violinist Jennifer Sacher Wiley to play with the Penn Central Wind Band. There were many changes to the solo part from the original version, and the overal feeling-tone of the piece shifted substantially. It was premiered in July, with William Kenny conducting.
Movement
1 Movement
2 Movement
3
CONCERTO FOR SAXOPHONE AND WIND ENSEMBLE 15 min. (composed 2006)
Written for Gail Levinsky and the Susquehanna University Wind Ensemble, Eric Hinton, conductor. It was premiered by them in May of 2006 at Susquehanna University.
Score of Concerto for Saxophone Movement
1 Movement
2 Movement 3
Commissioned by Dickinson College for pianist Jennifer Blyth, this piece employs max/msp/jitter and the Buchla Piano Bar to "set" text without a singer. The computer follows the pianist's performance via midi data and then presents the texts (sometimes whole phrases, sometimes just letters or syllables) at precisely the right time. Where the texts come from and why I chose them is a long story, so I actually built the program notes into the piece itself. It's a story within a story.
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Videos |
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Commissioned and premiered by the Ithaca Trombone Troupe. It has 8 parts which may be doubled or tripled, or . . it's hard to imagine more than that! This piece develops several themes first introduced in the "Toccata Man" movement from my "Sonata with Words". The music sounds like it belongs with a movie about a some kind of brass-playing musical superhero.
Score and parts of Toccata Man Returns Recording of Toccata Man Returns
Commissioned and premiered by pianist Maria Springfield, trombonist Dave Springfield and saxophonist Cary Brague. This piece is fast, virtuiosic, and at times, knowingly pompous.
Score and parts
for Academic Fanfare Recording of Academic Overture
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I used my scordatura electric autoharps heavily in this to create the sound of a supernatrual cimbalom. I played the strings with bows, ebows, percussion mallets, and chopsticks. In a few parts I scraped them with my fingers and dramatically amplified the very quiet sound. Email me to request a complete disc of this musical underscore (about 45 minutes of music all together) |
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Written for and premiered by the Susquehanna University Orchestra and Jazz Ensemble, Jennifer Sacher Wiley and Gail Levinsky, directors. First performance, November 5, 2004, Stretansky Hall, Susquehanna University. Thanks Jen!
Score
of Rondo Beach Recording
of Rondo Beach
Written for and premiered by the Victoria School District Percussion Ensemble, Phillip J. Mikula, director. First performance, November 21, 2004, Percussion Arts Society International Convention, Nashville, Tennessee.
Score
and parts for Circus of Circuits Midi Recording
Many large-scale classical pieces are divided up into small movements. The problem is, it is often impossible to tell where one movement ends, and another begins. In this piece, a video screen behind the performer displays the title exactly as each movement begins. Since some movements are (extremely) short, and some titles are quite idiosyncratic, the changing titles become one of the prime dimensions of the music. This piece is very visual, and doesn't translate so well as a recording. At my next performance, I will video tape it . . .
First performance, February 4, 2004, by Patrick Long, Stretansky Hall, Susquehanna University.
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NOSFERATU an improvisational movie score for chamber orchestra, (created 2003) First performance, November 2, 2003, Susquehanna University. Four Recorded Excerpts (about 1 min. each) |
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Written for and premiered by the Susquehanna University Orchestra, with Jennifer Sacher Wiley, violin. This piece was a part of the educational concert drama entitled "Outside the Music Box". This show was created by Jennifer Sacher Wiley. The SU orchestra performed the piece several times on a tour of the Philadelphia area.
Violin part (160
KB) Recording
This is a software program created with max/msp/jitter, for use with the Buchla Piano Bar, that displays the phrasing, harmony and form of the Bach Prelude in C major, in response to a live piano performance.
First performance, May, 2003, Fairport, New York.
QUINTET for piano, two violins, viola and cello, 24 min. (composed 2002)
First performance March 11, 2003 by pianist Jennifer Blyth and the Corigliano Quartet, Carlisle, Pennsylvania. The performance was great, and it was recorded, but I don't have a copy yet.
I was very fortunate to have this piece played again! In 2006, the Ames Piano Quartet (joined by Jennifer Sacher Wiley) played the piece at S.U. They put quite a lot of work into, and really nailed it. Here's the recording.
Score for Quintet Movement
1 Movement
2 Movement
3
Commissioned by Edward Smith and the Selinsgrove Area High School Band. Premiered on March 1, 2002.
Recording of Concerto for Electronic Percussion and Symphonic Band
BARCAROLLE for saxophone and interactive computer media system (2001)
Commissioned by Gail Levinsky, and premiered by her on March 18, 2002 at Susquehanna University. This piece is available on Gail's great CD. Contact me for performance software.
Score
of Barcarolle Recording of Barcarolle
Commissioned by Andrew Harnsberger. Premiered in 2001. This is one of my favorite pieces. I don't have a recording from Andy yet, so the recording here is of my own performance.
Recording of all
6 mvts (performance by composer) Score
of Dreamscapes
A setting of text by poet James McKorkle. This piece was never "performed" in public, and few have ever heard it.
| SHADOW STEPS for electric violin and computer
music system (with live graphics), 7 min., (composed 2000)
This piece was commissioned by my first composition teacher Andrew Waggoner, and premiered by him on November 7, 2001. It was later performed many times and recorded by Jennifer Sacher Wiley.
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When you take the buttons off an autoharp, you just get this set of strings. If you put a pickup in, then retune the strings in creative ways, then play it with sticks, mallets and bows, you can get some rather unusual and effective sounds.
Interlude
#1 Interlude
#2 Interlude
#3
Commissioned by Deborah Cunningham as a gift for Michael Bull on the occasion of their wedding. (Michael was my undergraduate percussion teacher.)
Recording of Trope (recording by composer)
GYMNOPEDIE for improvising drumset player and electroacoustic music, 14 min. (composed 1998) First performed by Bill Frieberg, Eastman School of Music. |
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Section
10, The darkness was my darkness
First performed by Patrick Long on the Image/Movement/Sound Festival, Rochester. N.Y.1997)
Commissioned and first performed by Andrew Harnsberger. It is available on his CD "Vertigo".
Recording by Andrew Harnsberger Score
Commissioned by the Eastman School of Music in honor of Hammamatsu, Rochester's sister city in Japan.
Score
of Fanfare for Hammamatsu
First performed by the Timaeus Ensemble in Kilbourn Hall, 1996. Helen Pridmore, soprano, Jennifer Blyth, piano, David Welter, clarinet, Kurt Fowler, cello, Jenny Oh, flute, Pat Long, electronic percussion.
Recording
of Astronomer Score
of Astronomer
Recording
of Meditation Score
of Meditation
This was never performed, but significant parts of it re-emerged in my Piano Quintet (2001)
Recording of Arioso Score
of Arioso
STRANGE LOOPS for percussion quintet, 10 min., (composed 1993) I guess this is my big "hit". It's been performed many times ( in the hundreds) all over the place. It's been recorded twice. It was commissioned by the Syracuse Symphony Percussion Ensemble.
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Composed as a final project for Computer Music I, with Professor Allan Schindler, ESM.
This has been performed, but always in a church, where is tough to record.
Psalm
1 Psalm
2 Psalm
3 Psalm
4 Psalm
5
This was my attempt to write a marimba concerto that was as huge and difficult as some of the famous piano concertos. Everyone told me that a piece this big wouldn't ever catch on-- especially if there was no piano reduction. Well, they were probably right. It was first performed (in version for marimba and tape) by me in 1992, Kilbourn Hall, Eastman School of Music. Kristin Tait performed it the next year with an orchestra, but I don't have a tape of that performance.
Solo
Part Movement
1 Movement
2 Movement 3
MUSIC FOR VIBRAPHONE SOLO: BOOK ONE, 20 min. (composed 1991) This was one of the pieces that I wrote while studying with the wonderful composer Warren Benson.
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Movement 1 Movement 2 - Chase
Dream Movement
3 - Burlesque
First performed by Erica Bunnemeyer at Syracuse University.
Movement 1 Movement 2 Movement 3 Movement 4
Never performed, but graciously read by the Syracuse University Orchestra in the spring of 1991.
Recording of orchestral reading
session
(Score published by Permus Publications)
Recording
of Rhapsodic Variations
Recording
Score
of Summer Nocturne
Recording (excerpt)
Score
of Leopold
Movement 6 (6
MB) Movement 7 (4
MB)
First performed by the Syracuse University Wind Ensemble, conducted by Robert Spradling, spring 1990. Not bad for a relative beginner. The third movement is the best.
Recording of Symphony for Winds and Percussion
First performed by Chris Ferrari and Deborah Cunningham, Syracuse University.
My first piece of "concert" music to be performed publicly.
This piece was never performed publicly, and that was probably okay.
Piano
Piece #1 - mid 80sVibraphone
Pieces #1, 2 - (I had just bought my own vibraphone!) - mid 80s
The first non-pop music that I really knew about was jazz/rock fusion. At some point I bought a Fostex 4-track cassette recorder, and a Juno 6 synthesizer, and I tried my hand at recording all of the parts myself (except guitar, played by a friend who's name was, I think, Shaun) on these sophomoric imitations. I refuse to give the actual titles here, because, well, they were silly-- even for a 16 year old.
Pat Metheney Imitation Billy Cobham Imitation Cop-show Imitation
Dick
Hyman Imitation Yellowjackets
Imitation
These three pieces were made on my Dad's Mac Plus in the early 80s. I used the venerable "Deluxe Music Construction Set", which was one of the earliest consumer computer applications for making music.
March
to the East (5 MB) March
to the West (4 MB) Weird
Bells (5 MB)
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A nice live recording of my big chorus and orchestra piece that was performed at Carnegie Hall. Please contact Jodi Swartz to purchase a CD. |
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This recording by the Meadows Percussion Ensemble, Robert Stroker,
Director, is available from
Gasparo Records. The disc contains my 1995 work for percussion quintet, STRANGE LOOPS. |
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This recording by saxophonist Gail
Levinsky includes my pieceBARCAROLLE for Alto Saxophone
and live electronics. |
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My piece ONTOLOGY for electronic percussion and interactive
computer music system is included on a new Syracuse University Recordings
disc called "Breaking
Ground". |
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During the summer of 2004, Faculty Lounge, a rather post-punk-like band made
up of S.U. professors, recorded our first CD. I'm just the drummer on this one.
. . . Check out our site for ordering info. |
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This recording by marimba artist Andrew Harnsberger was released to very
positive reviews in 1999. It contains my solo marimba work entitled SMOKE
OF THE GHOST. It is available from Paragon
Percussion. |
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This is my demo CD, which I am currently distributing myself. It contains works that I have created using the MAX programming language. If you would like a copy of this, please contact me. |
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This recording by the Radford University Percussion Ensemble under the direction of Al Wojtera, is available from Highlander Records. The disk contains my 1995 work for percussion quintet, STRANGE LOOPS. |
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This is the first CD that I was ever involved with. It is the music of the terrific up-and-coming American composer, Christopher Theofanidis. I played percussion on several of these 1993 recordings. |
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Patrick Long (b. 1968) is a summa cum laude graduate of Syracuse University. He received both his Masters and Doctoral degrees in composition from the Eastman School of Music in Rochester, New York. An active percussionist as well as a composer, he specializes in the creation and performance of works that combine electronics processes with live performers. He has perfomed solo recitals of this music at numerous venues throughout the United States. He has studied composition with Andrew Waggoner, Samuel Adler, Warren Benson, Christopher Rouse, Joseph Schwantner and David Liptak, percussion with Michael Bull and John Beck, and computer music with Allan Schindler. He has completed commissions for diverse artists and ensembles, including marimba soloist Andrew Harnsberger, Ned Corman of the Commission Project, the Syracuse Symphony Orchestra Percussion Ensemble, the Timaeus Chamber Ensemble, saxophonist Gail Levinsky, the Hobart and William Smith Colleges Dance Department, the Eastman School of Music, pianist Jennifer Blyth, the Corigliano String Quartet, the Lina Bahn / Collin Oldham Duo, the Susquehanna University Orchestra, and the Air de Cour Ensemble. His works have been featured at festivals and concert series around the U.S., including the Memphis State New Music Festival, the New Paltz Music in the Mountains Festival, the Ann Arbor Brave New Works Festival, the Kilbourn Concert Series, the Rochester Image, Movement, Sound Festival, the Washington D.C. Contemporary Music Forum, and the national conferences of the Society of Composers, Inc., the Society of Electro-Acoustic Musicians in the United States (SEAMUS), the Percussive Arts Society International Conventionand (PASIC), the North American Saxophone Association. His recordings are featured on numerous CDs, as well as through the internet . Many of his scores are also available for free download via the internet. An active practioner of pop music, he performs regularly with the central-Pennsylvania based rock band - Faculty Lounge. He is currrently an associate professor of music composition, theory and technology at Susquehanna University. He resides in Selinsgrove, Pennsylvania with his wife Julie, daughter Renee, and son Brendan. |
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Performance calendar in reverse chronological order. If you would like to have a performance mentioned here, please email me.
2008-2009
May, 2009
Riverbed for choir and percussion
Lincoln Singers of Carthage College
Kenosha, Wisconsin
March 21, 2009
Performing with the "Paul Smith Power Trio" at Cherry Alley Cafe, Lewisburg, PA
March 6, 2009
Performing with Faculty Lounge as part of "Profapalooza" at The House of Blues in Atlantic City, N.J.
February 21, 2009
Performing with Faculty Lounge at the Brasserie Louis, Lewisburg, PA
February 20, 2009
Performing with the "Paul Smith Power Trio" at Cherry Alley Cafe, Lewisburg, PA
February, 2009
De Profundis for clarinet and multi-media
Performed by Dr. Gail Lehto Zugger, Capital University
Washington, D.C.
February, 2009
Lincoln Elegy for orchestra and narrators
Performed by the Williamsport Youth Symphony
Williamsport, PA
February, 2009
Double Secret Probation for orchestra
Performed by the District 8 Orchestra, Jennifer Sacher Wiley, director
Selinsgrove, PA
January 15, 2009
Performing "Golden Age of Xylophone" on faculty concert
Susquehanna University, Selinsgrove, PA
January, 2009
Slow Sunrise for concert band
Performed by the Susquehanna Valley Concert Band, Amy Kenny, director
Sunbury, PA
December 6-7, 2008
Performing as timpanist with the Susquehanna Valley Chorale
Sunbury, PA
December 7, 2008
Strange Loops for percussion ensemble
Boston Conservatory Percussion Ensemble, Sam Solomon, director
Boston, MA
December 6, 2008
De Profundis for clarinet and multi-media
Performed by Nina Olsen, Bloomington, MN
November 23, 2008
Performing as guest artist (marimba) with the Bucknell University Choir
Lewisburg, PA
October 26, 2008
Dreamscapes: November Steps - Reunion (transcribed for organ by MK)
Performed by Marcos Kreiger in recital at the Otterbein United Methodist Church, Lancaster Pennsylvania
December 8, 2008
Strange Loops for percussion ensemble
Performed by the Temple University Percussion Ensemble, Phillip O'Banion, director.
Temple University, Philadelphia, Pennsylvania
(Before the performance of my piece, I gave a short presentation to the audience about the work)
October 7, 2008
Academic Overture for saxophone, trombone and piano
Performed by the Maharlika Trio
Abraham Baldwin College
September 16, 2008
Academic Overture for saxophone, trombone and piano
Performed by the Maharlika Trio
Clayton State University
September 4, 2008
Doloroso for tuba, soprano saxophone and piano
Performed by the Maharlika Trio with Eric Bradshaw
Valdosta State University
2007-2008
May 25, 2008
Barcarolle for saxophone and interactive computer music system
Performed by Joey Trahan
North Carolina School of the Arts, Winston-Salem, NC,
April 18, 2008
Academic Overture (or Finale) for alto saxophone, trombone and piano
Performed by The Springfield-Cain-Springfield Trio
North American Saxophone Alliance
April 17, 2008
I am curating a concert of Susquehanna University composers,
with works by students and faculty.
S.U., Stretansky Hall
Selinsgrove, PA
April 12, 2008
Strange Loops for percussion quintet
Performed by the Penn State University Percussion Ensemble
Professor Dan Armstrong, director
State College, Pennsylvania
March 15, 2008
Performing with Faculty Lounge
Trax Nightclub
Selinsgrove, Pennsylvania
March 14, 2008
"Slow Sunrise" for concert band
Williamsport County Band, Kim Councill, conductor
Williamsport, Pennsylvania
March 7, 2008
"Rain, River, Sea" for soloists, chorus and orchestra
Performed by the Susquehanna University Masterworks
Chorus and Orchestra, conducted by Jennifer Sacher Wiley
Carnegie Hall, New York City
March 3, 2008
"Barcarolle" for saxophone and computer music system
Performed by Gilberto Bernardes
Polytechnic Institute of Arts of Castelo Branco
March 1, 2008
Performaing as section percussionist
with the Suquehanna Valley Chorale
Sunbury, PA
February 27, 2008
Horn Memorial Faculty Lecture at Susquehanna University
(Last year I was honored to received the Horn Award,
which recognizes faculty scholarship/artistic accomplishment
at S.U. Typically, the honoree delivers a lecture on their
area of scholarship, so I gave a lecture/recital that included
performances of "Dreamscapes" for solo marimba, and an expanded
version of "48 Movements" for snare drum and computer multi-media system.)
December 11, 2007
Performing as section percussionist
with the Williamsport Symphony
Williamsport, Pennsylvania
December 8, 2007
Performing with Faculty Lounge
Chuck's Sportsbar
Selinsgrove, Pennsylvania
November 18, 2007
Performing as guest percussionist
with the Bucknell University choir
Lewisburg, Pennsylvania
November 9, 2007
Performed as section percussionist with the
Bucknell University Band, Ed Smith, conductor
Lewisburg, Pennsylvania
October 2007
Toccata Man Returns for trombone choir
performed by the Eastman School of Music Trombone Choir
Kilbourn Hall, Eastman School of Music, Rochester, New York
November, 2007
Barcarolle for saxophone and interactive computer music system
Performed by Sarah Newman
Manhattan School of Music, NYC
November 4, 2007
"Sonata with Words" for piano and interactive computer media system
Performed by Jennifer Blyth
Arkansas State University
October 29, 2007
"Nosferatu" improvisational film score
Performed by PAL with S.U. music faculty members
The Campus Theatre in Lewisburg, PA
October 10, 2007
"Nosferatu" improvisational film score
Performed by PAL with S.U. music faculty members
Stretansky Hall, Susquehanna University
October 7, 2007
Guest Sound Engineer/Video Support with the Timaeus Ensemble
Dickinson College, Carlisle Pennsylvania
August 4, 2007
Performing as a section percussionist with the Penn Central Wind Band
Lewisburg, Pennsylvania
July 8, 2007
Smoke of the Ghost for Solo Marimba
Performed by Tomek Arnold
International Percussion Art Festival "Crossdrumming" Warsaw (Poland)
July 4, 2007
Smoke of the Ghost for Solo Marimba
Performed by Tomek Arnold
Percussion Workschops concert in Bielsko-Biala (Poland)
July 3 and 4, 2007
Performed as Xylophone soloist (The Golden Age of Xylophone) with the Penn Central Wind Band
Mifflinburg Pennsylvania, Lewisburg, Pennsylvania
2006-2007
May 10, 2007
"Slow Sunrise" for concert band
Selinsgrove Area Middle School Band, Amy Kenny, Director
Selinsgrove, Pennsylvania
May 5,2007
Performing with Faculty Lounge
The Towne Tavern
Lewisburg, Pennsylvania
April 21 and 22, 2007
Ascension for digital music ensemble
Cynthia Williams, Choreographer
Hobart and William Smith Dance Dept.
Geneva, New York
April 29, 2007
"An Evening of Modern Dance and Live Electronic Music"
Students of Anne Doctor and Patrick Long
Degenstein Auditorium, Susquehanna University
Selinsgrove, Pennsylvania
April 15, 2007
Strange Loops for percussion quintet
Stetson University Percussion Ensemble, directed by Kevin Garry
March 18, 2007
"Academic Overture (or Finale)" for alto saxophone, trombone and piano
Performed by The Springfield-Cain-Springfield Trio
The University of South Carolina School of Music
March 21, 2008
Curator for a concert of S.U. composers
Stretansky Hall, Selinsgrove, Pennsylvania
March 17,2007
Performing with Faculty Lounge
Trax Nightclub
Selinsgrove, Pennsylvania
March 15, 2007
Sonata with Words for piano and multi-media computer music system
Jennifer Blyth - piano
Wheaton College - Chicago, Illinois
March 8-10, 2007
Alien Invasion Finale for orchestra
The S.U. Orchestra Concert Drama Tour 2006
Various venues in New England and Pennsylvania
February 24, 2007
Alien Invasion Finale
Williamsport Symphony
Williamsport, PA
February 1, 2007
Conducting peformance of Pierrot Lunaire by Arnold Schoenberg
Soprano Rebecca Karpoff and an ensemble of Susquehanna U. Faculty
Susquehanna University
December 8-9, 2006
Performing as percussionist with the Susquehanna Valley Chorale
in a performance of "Amahl and the Night Visitors" by Menotti
November 2006
Smoke of the Ghost for Solo Marimba
Tomek Arnold
International Music Prize for Youth, Germany
November 28, 2006
Strange Loops for percussion quintet
The George Mason University Percussion Ensemble
Harris Theatre, George Mason University
November 16, 2006
Shadow Steps for violin and multimedia, Excerpts for Sonata with Words, for piano and computer music system
Jennifer Sacher Wiley - violin, Jennifer Blyth - piano
Eastman Computer Music Center 25th Anniversay
Kilbourn Hall, ESM, Rochester, New York
October 25, 2006
Sonata with Words for piano and multi-media computer music system
Jennifer Blyth - piano
Syracuse University
October 23, 2006
Dreamscapes for Solo Marimba
Brandon Wood, marimba
Lee University
October 5, 2006
Piano Quintet
The Ames Piano Quartet with Jennifer Sacher Wiley
Susquehanna University
September 29, 2006
Performing as a percussionist with my S.U. colleagues in
"Maria de Buenos Aires" by Astor Piazzolla
September 27, 2006
Sonata with Words for piano and multi-media computer music system
Jennifer Blyth - piano
Susquehanna University
September 21-24
Underscore for the play Dracula
The Susquehanna University Theatre Department
Degenstein Theatre, Selinsgrove PA
September 13, 2006
De Profundis for clarinet and multi-media (DVD playback)
Deborah Andrus, clarinet
Lehigh University
September 12, 2006
Theme from the film Leopold, Slow Dance for violin, piano and vibraphone, Lullaby for solo Vibraphone, and Shadow Steps for Violin and Tape
Jennifer Sacher Wiley - violin, Carol lei Breckenridge - piano, Patrick Long - Vibraphone
Central College, Pella, Iowa
September 11, 2006
Theme from the film Leopold, Slow Dance for violin, piano and vibraphone, Lullaby for solo Vibraphone, and Shadow Steps for Violin and Tape
Jennifer Sacher Wiley - violin, Carol lei Breckenridge - piano, Patrick Long - Vibraphone
Iowa State University
September 8, 2006
De Profundis for clarinet and multi-media (DVD playback)
Deborah Andrus, clarinet
Susquehanna University
August 31, 2006
Smoke of the Ghost for solo marimba
Tomek Arnold
The International Competition of Contemporary Chamber Music, Krakow, Poland
August 19, 2006
Performing with Faculty Lounge
Riverfest!
Sunbury, PA
July 21, 2006
Concerto for Violin and Wind Ensemble
The Penn Central Wind Ensemble, William Kenny - conductor, Jennifer Sacher Wiley - violin
The Weis Center for the Performing Arts, Bucknell University
2005-2006
May 10, 2006
Performing with Faculty Lounge
Chuck's Sportsbar
Selinsgrove, PA
May 6, 2006
Performing with Faculty Lounge
Towne Tavern
Lewisburg, PA
May 4, 2006
Performing with the Penn Central Wind Band
Scottish Rite Auditorium
Williamsport, PA
April 30, 2006
Concerto for Saxophone and Wind Ensemble
Gail Levinsky, saxophone, with the Susquehanna U. Wind Ensemble, Eric Hinton - conductor
Susquehanna University
April 7, 2006
Barcarolle for Alto Saxophone and interactive computer music system
Jennifer Talley
Indiana State University
April 22, 2006
Guest percussion artist with the Mount Carmel Symphonic Band
Golden Age of Xylphone; Two Mexican Dances by Gordon Stout
April, 2006
Dreamscapes for solo marimba
Performed by Andrew Harnsberger in masterclasses at Valdosta State University,
Jersey City University, University of the Cumberlands, East Kentucky University
March 26, 2006
Performing with the Susquehanna Valley Chorale
in Verdi's Requiem
Sunbury, PA
May 18, 2006
Performing with Faculty Lounge
Charlie's Coffeehouse
Susquehanna University
March 7, 2006
Dreamscapes for solo marimba
Gene Fambrough
University of Alabama
February 6, 2006
Shadow Steps for violin and tape
Davis Brooks, violin
Butler University
January 27, 2006
Reading Mozart's letters (dressed as Mozart no less)
Mozart's 250th Birthday Concert
Susquehanna University
January, 2006
Strange Loops for Percussion Quintet
Trinity College Percussion Ensemble
Dublin, Ireland
December 17, 2005
Performing with the Susquehanna Valley Chorale
Music of Ralph Vaughan Williams
October 8, 2005
Sonata with Words for piano and multi-media computer music system
Jennifer Blyth - piano
Dickinson College
October 2005
Toccata Man Returns for 8-part Trombone Ensemble
The Ithaca College Trombone Troupe
Ithaca, New York
September 2005
Acadmic Overture (or Finale) for saxophone, trombone and piano
The Maria Springfield Trio
Valdosta Georgia
September 2005
Strange Loops for percussion quintet
The University of Arizona Percussion Ensemble
Tucson, Arizona
September 26, 2005
Brendan Francis Long born (8:45 AM - 7 pounds, 6 ounces)
2004-2005
May 11, 2005
Performing with Faculty Lounge
Chuck's Sportsbar, Selinsgrove, PA
February 8, 2005
Performing with the Williamsport Symphony
Williamsport, PA
February 2005
Arioso for flute, cello, piano and live electronics
Performed by the Timaeus Ensemble
Wheaton College and the University of Illinois
November 21, 2004
Underscore for The Dybbuk
S.U. Theatre Department, Selinsgrove, PA
November 2004
Computer Music Class Performance - live, improvised score for silent film Metropolis
Susquehanna University, Selinsgrove, PA
February 25 2005
Performing with Faculty Lounge, featuring special guest Raining Jane
Degenstein Theatre, Susquehanna University
December 11, 2004
Performing with Faculty Lounge
Chuck's Sportsbar, Selinsgrove, PA
| 11/21/04 | Circus of Circuits for large percussion ensemble and live electronics |
Victoria School District Percussion Ensemble, Phillip J. Mikula, director | Percussive Arts Society International Convention |
| 11/05/04 | Rondo Beach for studio orchestra | S.U. Jazz Ensemble and Orchestra, Jennifer Sacher Wiley and Gail Levinsky, Directors |
Susquehanna University, Selinsgrove, PA |
| 5/1/04 | Concerto for Electronic Percussion and Wind Ensemble | Patrick Long with the Mount Carmel HS Band | Mount Carmel, PA |
| 4/04 | Dreamscapes for solo marimba | Allison Calhoun | Central Washington University |
| 3/05/04 | from the Edge's Loom for electric violin, cello and sound processor | Lina Bahn / Collin Oldham Duo | American Vanguard Festival, Carlisle, PA |
| 2/04/04 | Full Recital: Barcarolle, Shadow Steps, Four Echoes Dance, Ascension, 48 Movements for Snare Drum and Computer Music System | Patrick Long, percussion, with Gail Levinsky, Jennifer Sacher Wiley and Ryan Hoffman | Susquehanna University, Selinsgrove, PA |
| 12/13/03 | Performing with - | Faculty Lounge | Chuck's Sportsbar Selinsgrove, PA |
| 11/15/03 | Strange Loops for percussion quintet | California State U. Percussion Ens. | Festival of New American Music, CA Sate U. |
| 11/1/03 | Performing a quasi-improvised score for classic silent film Nosferatu | SUNME - Susquehanna University Contemporary Music Ensemble | Selinsgrove, PA |
| 10/30/03 | Strange Loops for percussion quintet | East Carolina U. Percussion Ensemble | East Carolina U. |
| 10/06/03 | Strange Loops for percussion quintet | Interlochen Academy Percussion Ensemble | Interlochen, MI |
| 10/30/03 | Shadow Steps for electric cello and tape | Kurt Fowler, Zeta Cello | Indiana State Contemporary Music Festival |
| 8/16/03 | Performing with - | Faculty Lounge | Riverfest - Sunbury, PA |
| 5/22/03 | Strange Loops for percussion quintet | California Youth Symphony Perc. Ens. | Palo Alto, CA |
| 5/6/03 | Performing with - | Faculty Lounge | Sunbury YMCA benefit |
| 5/2/03 | Full Recital: Ontology, Four Echoes Dance, Shadow Steps, Barcarolle, December Canticle, Bach Prelude (with Jitter graphics) | Patrick Long, percussion, with special guests Jennifer Sacher Wiley, violin, and Gail Levinsky, saxophone | Christ Church Presents Concert Series, Manlius, New York |
| 4/12/03 | Strange Loops for percussion ensemble | Ithaca College Percussion Ensemble | Ithaca, New York |
| 4/08/03 | Strange Loops for percussion ensemble | UT Austin Percussion Ensemble | Austin, Texas |
| 4/03 | Dreamscapes for solo marimba | Andrew Harnsberger | Radford University, Virginia |
| 3/26/03 | Performing with - | Faculty Lounge | Chuck's Sportsbar, Selinsgrove, Pa |
| 3/26/03 | Four Echoes Dance for malletkat and computer music system | Adam Josephson | Susquehanna University, Selinsgrove, Pa |
| 3/17/03 | from the Edge's Loom for electric violin, cello and sound processor | Lina Bahn / Collin Oldham Duo | Washington D.C. Contemporary Music Forum |
| 3/11/03 | Quintet for piano, two violins, viola and cello | Jennifer Blyth and the Corigliano Quartet | Carlisle, Pennsylvania |
| 3/03 | from the Edge's Loom for electric violin, cello and sound processor | Lina Bahn / Collin Oldham Duo | Gaudeamus Competition, Amsterdam |
| 3/5-9/03 | Color Concerto for electric violin and orchestra, with live video | Jennifer Sacher Wiley, violin, with the Susquehanna University Orchestra | 7 performances at various PA venues |
| 2/8/03 | Four Echoes Dance for malletkat and computer music system | Patrick Long, malletkat | Susquehanna University, Selinsgrove, Pa |
| 1/12/03 | Renée Elizabeth Long Born! | (6 pounds, 6 ounces) | Danville, PA |
| 12/5/02 | Arioso for violin and piano, with computer music system | Jennifer Sacher Wiley, violin, Patrick Long, piano | Selinsgrove, PA |
| 10/02 | Barcarolle for alto saxophone and computer music system | Gail Levinsky | Two performances in England |
| 9/19/02 | Shadow Steps for electric cello and tape | Kurt Fowler, Zeta Cello | Selinsgrove, PA |
| 3/18/02 | Barcarolle for alto saxophone and computer music system | Gail Levinsky | Selinsgrove, PA |
| 3/14/02 | Strange Loops for percussion ensemble | State University of West Georgia Percussion Ensemble | S.U.W.G |
| 3/9/02 | Barcarolle for alto saxophone and computer music system | Gail Levinsky | North Amercian Saxophone Alliance National Conference, Denton, Texas |
| 3/7/02 | Full Recital: Ontology, Shadow Steps, December Canticle, Sinfonia Impromptu, Improvisation | Patrick Long, percussion, with special guests Andrew Waggoner, violin, and Shafer Mahoney, percussion | Hunter College, New York City |
| 3/1/02 | Concerto for electronic percussion, video, and symphonic band, by Patrick Long The Golden Age of Xylophone for solo xylophone and symphonic band, Arr. Floyd Werle |
Patrick Long, percussion soloist, with the Selinsgrove HS Symphonic Band, Ed Smith, conducting | Selinsgrove, PA |
| 11/09/01 | Shadow Steps for electric viollin and tape | Andrew Waggoner, violin | Syracuse, NY |
| 11/07/01 | Shadow Steps for electric viollin and tape | Andrew Waggoner, violin | Selinsgrove, PA |
| 10/10/01 | Astronomer for voice, chamber ensemble and electronic percussion | Susquehanna University New Music Ensemble | Selinsgrove, PA |
| 10/9/01 | Full Recital: Ontology, Trope, December Canticle, Sinfonia Impromptu | Patrick Long, percussion, | State University of New York at New Paltz |
| 10/9/01 | Full Recital: Ontology, Dreamscapes, December Canticle, Sinfonia Impromptu | Patrick Long, percussion, | University of Delaware |
| 9/29/01 | Full Recital: Ontology, Dreamscapes, Trope, December Canticle, Sinfonia Impromptu | Patrick Long, percussion, | Susquehanna University |
| 8/20/01 | December Canticle for malletkat and computer music system | Patrick Long, percussion, | Susquehanna University |
| 4/01 | Ascension for digital music ensemble | Performed with choreography by Cynthia Williams | Hobart and William Smith Colleges, Geneva, New York |
| 3/01 | Sinfonia Impromptu for electronic percussion and computer music system | Patrick Long, percussion, | Society of Composers, Inc. National Conference, Syracuse, NY |
| 2/01 | Aubade for electronic percussion and computer music system | David Little, percussion, | Susquehanna University |
| 12/00 | Inside Interlude #2 for electro acoustic music | Susquehanna University New Music Ensemble | Selinsgrove, PA |
| 11/00 | Panel Presentation on teaching composition to non-majors | Andrew Waggoner, Anna Weasner, David Liptak, Patrick Long | NASM National Convention, San Diego, CA |
| 10/00 | Strange Loops for percussion ensemble | Susquehanna University New Music Ensemble | Selinsgrove, PA |
| 4/00 | Summer Nocturne for alto saxophone and tape | Matthew McCoy, saxophone | Syracuse, New York |
| 3/00 | Performance of various electronic improvisations for art show opening | Patrick Long, percussion, | Everson Museum, Syracuse, NY |
| 3/00 | Gymnopedie for drumset soloist and tape | Peter Defilippi, drumset | Syracuse, New York |
| 11/99 | Arioso for violin, piano and live electronics | The Air de Cour Ensemble | Rochester, NY |
| 11/99 | Full Recital: Ontology, Trope, Sophia and Pulse, by Shafer Mahoney, December Canticle, Sinfonia Impromptu | Patrick Long, percussion, | Christ Church Presents Concert Series, Manlius, New York |
| 10/99 | Performance of various electronic improvisations for art show opening | Patrick Long, percussion, | Everson Museum, Syracuse, NY |
| 10/99 | December Canticle for malletkat and computer music system | Patrick Long, percussion, | Unitarian Universalist Church, Syracuse, New York |
| 3/99 | Gymnopedie for drumset soloist and tape | Bill Frieberg, drumset | Rochester, NY |
| spring tour 1999 | Smoke of the Ghost for solo marimba | Andrew Harnsberger, marimba | Lee University, Tennessee University of Alabama, University of Louisville, Middle Tennessee State U., SUNY Geneseo, Eastman School of Music, U. of Maryland, VA Commonwealth, U., Radford U. |
| 3/99 | Full Recital: Sinfonia Impromptu, Ontology, Lyric Suite, Aubade, December Canticle | Patrick Long, percussion | Syracuse, New York |
| 2/99 | Astronomer for voice, chamber ensemble and electronic percussion | Timaeus Chamber Ensemble | Lincoln, Nebraska |
| 1/99 | In Torn Air - an evening length chamber cantata for voice, choir, chamber ensemble and electronic percussion | Timaeus Chamber Ensemble | Lincoln, Nebraska |
| 12/98 | Arioso for violin, piano and live electronics | The Air de Cour Ensemble | Rochester, NY |
Sample video
